The frame on the wall is the easy part to show. Here is the setup next to the final, the retouch before and after, and the gear that did the work.
Most corporate portraits do not need a truck of gear. One shaped source, feathered, and a reflector to lift the shadow side. The work is in the angle, not the inventory.
Retouching should be felt, not seen. Skin keeps its texture, the light keeps its logic, and nobody looks like a wax model. The goal is the best version of a real moment.
The workhorse for paid shoots. Reliable autofocus, clean files, weather-sealed enough for a location day.
Where I started, kept as a second body and for the places I would not risk the main camera.
For the angle you cannot reach on foot, on automotive and location work especially.
Helmet and chest POV for climbing and parkour, plus rugged B-roll where a body camera cannot go.
First action camera. Replaced by the Action 4, kept as a spare for a while, now retired.
Pocket gimbal for run-and-gun. Retired as phones and the Action line caught up.
Previous drone, succeeded by the Air 3. No longer flown.